Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon’s use of an amplified metal box, added to A_dontigny’s distorted CD skipping and Érick D’Orion’s signature audiomulch cataclysm, blended Shalabi’s melancholic bleeps to form a dense and warm tapestry of noise. Live at the Casa del Popolo, April 2002. Photography by Esther B.

• Date available:
  2004-01-03