4 groups, 4 full-length CDs: that’s the groundbreaking concept behind this specially priced box set from No Type to celebrate the burgeoning and already quite bewildering Montréal free improv scene…

Holzkopf, Jon Vaughn, Max Haiven, and now Coin Gutter… A new strain of musique concrète is currently taking off in Western Canada and the Prairies. Much like their fellow landscape…

Recorded live on April 20, 2002 under the original title “Fragments, segments, séquences,” here is a surprising new collaboration between A_dontigny (Napalm Jazz, morceaux_de_machines) and Diane Labrosse (known for her…

Three tracks of glitchy, minimal (& yet quite eventful) improv from Cal Crawford (computer), David Turgeon (computer) & Jon Vaughn (three no-input mixing boards). Edited & produced by Cal Crawford.

Debut six-track EP from Kanovanik, a VA-based ensemble performing slow, entrancing (sometimes vocal) post-rock.

Thirteen short, abstract electronic tracks from Nicholas Krapels aka N.kra, also known as founder & director of the Slapart netlabel.

Todd Drootin (Books on Tape) returns to No Type with an EP based solely on free jazz loops. Includes a bonus Headphone Science mix!

Hey Typical!, as featured on this special 10" release, is the original “laptop” version of a track from his new Deathbomb Arc CD entitled Throw Down Your Laptops. Books on…

Following a web release called Boredom is Counterrevolutionary (No Type), & a CD called Everything Happens Only a Certain Number of Times (Mitek, Sweden), both of which have received unanimous…

Following up a number of web & CD-R releases (more recently Number 65 on No Type and I Can Only Remember Tomorrow on Subverseco), you can say it was about…

A 16-track, 73-minute mixture of minimal broken beats, radio receptions & deep melodic lines long held a secret by its author, it is only now that this fairly unique item…

Abusive fastball rhythms. Gratuitous electroid synth lines. Z-movie backdrops. Tape hiss. Chopped vocal samples. Soundtracks to the high-scores table. One-finger sampler tapping. Lush downtempo breaks. Power pop plunges. You name…

A 73-minute work separated in 33 tracks of arbitrary length, Front is not to be easily explained. At the frontier of conceptual art & listening music, obnoxious candy pop…

When the thin line between war & peace gets as blurry as it is nowadays, a good old unfashionable labour of memory might just be in order. For Rumors of…